The purpose of the design activity in the Bauhaus, was to develop mass products that were affordable in price, with a high degree of functionality and form-seeking. In the field of graphics and communication, thealphabet without capital letters from Herbert Bayer who was the designer who most of all expressed the values of the Bauhaus in the field typographic, icon of an era and a philosophy. Primary colors, straight lines, geometric figures, and essentiality… a true innovation in the history of design and graphics.
AN ALWAYS VITAL MODEL
There Bauhaus, school founded by Walter Gropius gave a decisive imprint to the design of the 1920s which still today is recognized in some forms of communication: «it represents more than a historically completed work, the template still always vital of a link between creative imagination and technology "(Design history, industrial design theory by Bernhard E. Bürdek). In digitization it has a similar role to that possessed in
past, a technical and thinking tool in which form follows function.
BAUHAUS IN THE PRESENT PANORAMA
The use of platforms CMS software, today, they have made it possible to streamline and facilitate functions, leading to product standardization. The skill of industry professionals is to work on pre-set templates bestowing on them final finishing And customized tools.
PLANNING IN WEB DESIGN
In comparison with the problems ofimmateriality is the true way of relating planningAnd. Reflecting on functions, their organization and their visualization remains the core of the design discipline. The question is whether this discipline has the sole task of redefining the aesthetic aspect? A good design, depends on the aesthetic ability with which you use the design tools and their signifiers: fonts, colors, images, logos etc. As he declares Enrica Beccalli, designer and expert in digital interfaces: "of course you can't improvise graphics and you can't understand the present without thinking about the past" and Nyx Solutions adds even without knowing the design in the press review of the Corriere della Sera's A. Trocino. Modern painting in mondrian style